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About Reaching Perfection Missed Chapter 27? Read it here: Reputation Intro Are you still having problems getting players to find the incentives that you have placed around the map? Do players just walk past weapons laying around the map despite the eye catching techniques you used to draw attention to them? There’s more to getting people to notice things than just using color contrast. Have you ever thought about their attention being drawn elsewhere in that situation? Point of Focus When in a combat situation players are constantly maneuvering their focus to things that they feel require their attention at the time. If someone is shooting at them then their attention is drawn to that deterrent, not the weapon lying on the ground beside them. If the capture the flag waypoint is straight across the map then their attention is going to be towards the shortest path to get to it, not the sniper rifle that is sitting comfortably in a cupboard behind them. If there is a rocket launcher sitting high up on a pedestal with lights shining all over it they aren’t going to notice the hidden shortcut that is off to the side out of their view. Standing in their shoes When trying to draw attention to something think about the most likely places that a player is going to be; whether it is coming in through a doorway, hiding behind cover, or sitting at a control point. Now imagine the player’s current priorities and where their point of focus is; this could be any possible threats, any obvious incentives, the next objective, etc. Now in your mind draw a sample of their possible perspective based on their focus point and position. Use that as a guideline as to what the player is looking at. Place what you are trying to draw attention to in that perspective keeping in mind the rule of thirds, color contrast, and other eye catching techniques. If you know a player is moving around a lot, keep in mind the possible perspective variance and plan accordingly. This technique can be used in a variety of ways. You can use it for area introduction, deterrent warnings, incentive presentation, and other such instances. This is similar to the way that you setup spawn perspectives except that a spawn perspectives direction is always known. Perspective direction is about making an educated guess and imagining yourself as a player, not as the designer. A third dimension When considering a player’s perspective direction it is easy to keep in mind that they can be focused anywhere in front of them, behind them, or to either side of them. Most designers forget that there is a third dimension in most games. Imagine a ramp. If a player is sitting at the bottom of the ramp and their path map reads that they are likely to be going forward over that ramp where is the player’s focus point? It isn’t straight ahead because then their perspective is filled with the ramp. Their perspective direction is towards the area of highest possible threat. When sitting at the base of a ramp that area is typically the very top of the ramp. So placing an incentive at the very bottom of the ramp is probably not a good idea as it is out of the player’s perspective. Always put yourself in your player’s shoes. Remember that they don’t know your map like you do. So show them. See your creation from their eyes, not from yours. Read Chapter 29: Degree of Focus Follow Ray Twitter: https://twitter.com/RayBenefield Mixer: https://mixer.com/RayBenefield Follow Next Level Design Join the Forum: http://www.nextleveldesign.org/index.php?/register/ Follow us on Twitter: https://twitter.com/NextLevelDesig2 Discuss on Discord: https://discord.gg/RqEy7rg
Follow Game Design with Michael YouTube: https://www.youtube.com/channel/UCBDJsz_SgRaV96Xd9gqEemg Twitter: https://twitter.com/GigityMcD Follow Next Level Design Join the Forum: http://www.nextleveldesign.org/index.php?/register/ Follow us on Twitter: https://twitter.com/NextLevelDesig2 Discuss on Discord: https://discord.gg/RqEy7rg
We here at Next Level Design love being able to learn from other disciplines and interfaces, and apply them to game design and level design. We hope you'll find something within this article that you can use in your own designs. If you do, please share by commenting below. Happy learning! *Note: The following is a portion of an article which was shared on canva.com. It capture some of the main points, but there are detailed examples provided within the source article which are not included here. Please follow the link at the end for the full article. As consumers of design, we’ve all likely experienced this scenario at some point. But as designers, we want to make sure we’re not creating design layouts that might cause viewers to hurry to hit that back button in their browser or trash a flyer in frustration. So what’s the key to a design that’s well organized and easy to navigate? Starting with the foundation of a strong composition and good flow will get your project on the right track. Composition: A Definition for Designers Composition refers to the way all the elements of your design are arranged to create a cohesive whole. It considers actual elements you might add to a design, like typography, photos, or graphics — but it also takes into account “invisible” elements that contribute to the overall visual effect of a layout, like white or blank space, alignment and margins, or any framework you might use to arrange your design (such as a grid, the golden ratio, or the rule of thirds). A careful composition should visually lead viewers through the design in a way that makes sense and happens naturally without a lot of thought on the part of the viewer (otherwise known as “flow”). This act of composing, of being thoughtful and intentional about how you piece together a layout, is a skill that applies to many different types of visual arts, from painting to photography. The nice thing is that once you learn the basics of strong composition, you’ll find that they’re useful for all sorts of creative endeavors. Now let’s look at some of the tools and techniques traditionally used to create effective, visually engaging compositions. Visual Weight & Balance: Create a Clear Hierarchy A good composition isn’t just a neatly arranged collection of shapes, colors, and text. Every design has a purpose and communicates a message to its viewers, and a well-planned composition helps prioritize the design’s most important information and reinforce its message in a way that makes sense. This process of arranging information by its importance is often referred to as establishing a hierarchy. No hierarchy (or an inadequate one) makes for a confusing design that has no visual flow, and we don’t want that. Let’s look at two key elements of a clear hierarchy, focal points and balanced organization: Choose a Focal Point A focal point pulls people into your design and gives them a place to start looking at your composition. If viewers only had a couple seconds to glance at your design and take away one impression or piece of information, what would that be? That important element should be your main focal point, and to ensure it’s what people see first, you’ll want to find a way to emphasize that piece and make it the most visible part of the layout. Keep reading to see this concept at work in actual design projects. (Via Dribbble. Design by Mara Dawn Dockery.) How to do that? Through giving your focal point visual weight. When a design element has visual weight, it’s what stands out the most at first glance. It’s visually “heavy” because it makes its presence felt in the layout — you can immediately tell that it’s important, and it attracts your attention through something about its appearance, often by contrasting with the rest of the design. There are a lot of techniques to choose from to give your focal point visual weight, including but not limited to: Size Shape Color Texture Position Let’s walk through some examples: Follow the link at the end to read these sections of the article Make It Big Attract Attention with Unusual Shapes Choose Stand-Out Colors Add Texture for Visual Interest Position for Maximum Visual Impact Balance and Organize the Rest of the Design After a focal point gives viewers an entrance into your design, then it needs to be organized in such a way that they can navigate the rest of the layout easily. This is where the hierarchy really comes into play to give viewers a clear pathway to travel through the composition. Should their eyes move down the page? Across? From one section to another? How the rest of the design flows from the focal point will be key to a successful composition. You can guide viewers through your layout with some of the techniques we’ve already discussed, but most designs will benefit from an overall structure or organizing principle. Instead of just randomly throwing elements into your design and hoping it turn outs ok, being thoughtful and intentional about building your composition will always create a more usable and visually appealing experience for your audience. Let’s look at some common techniques: Follow the link at the end to read these sections of the article Use a Grid Try the “Rule of Thirds” Consider Symmetry Leave Some White Space Leading Lines: Create Movement to Lead the Eye Leading lines are literal or implied lines that lead viewers’ eyes where you want them to go — usually to the focal point of your design, but sometimes just from one section or element of the layout to another. Leading lines can take a number of different forms, including: Diagonal Lines Diagonal lines create movement or imply direction across the design, often from top to bottom and left to right, like with reading. Another common technique is to use two diagonal lines coming from opposite directions to direct users’ focus to a single point. If you’ve ever taken an art class during your school days, a common exercise is to draw a road or pathway extending into the distance: two diagonal lines coming from opposite directions, starting out wide but narrowing until they meet at a spot on the horizon known as the “vanishing point.” This is diagonal leading lines in action, and one of the most basic ways to create depth and perspective in a composition. The following website design uses this concept to organize its product image gallery. Notice how the diagonal lines created by the yellow shape in the background (along with selective blurring) create a sense of depth in the design. Via Dribbble. Design by Cosmin Capitanu Z Shapes & S Curves: Follow the link at the end to read these sections of the article Repeating Lines and Patterns Repetition can act as a leading line, guiding your gaze in a certain direction. It may take the form of repeating lines, shapes, or other elements arranged in a directional way. Repetition can also be a great way to reinforce a visual theme and add a sense of rhythm to your design. Even in-text elements that repeat, like bullet points or numbered lists, can help organize a design and give it a sense of flow. The following magazine layout repeats a visual theme of diagonal lines and triangular shapes in two ways: on individual pages or spreads (to guide readers through the content) and throughout the issue (to create consistency and a sense of rhythm through the whole publication). *Note: Click on the Image for a larger version Via Behance. Design by Bartosz Kwiecień. The Human Gaze: Follow the link at the end to read these sections of the article Learning some effective techniques for composing designs can really help level up your projects in terms of both aesthetics and function. We hope this introduction to some of the design principles of good composition will prove useful. As always, happy designing! Over to You Learning some effective techniques for composing designs can really help level up your projects in terms of both aesthetics and function. We hope this introduction to some of the design principles of good composition will prove useful. As always, happy designing! Read the full article here: https://www.canva.com/learn/flow-and-rhythm/ Follow Janie Twitter: https://twitter.com/janiecreates Website: https://janiekliever.com/ Follow Next Level Design Join the Forum: http://www.nextleveldesign.org/index.php?/register/ Follow us on Twitter: https://twitter.com/NextLevelDesig2 Discuss on Discord: https://discord.gg/RqEy7rg