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Found 3 results

  1. Hello all of you fantastic and wonderful people, I am BACK! I just want to say thank you all so much for the support and kind words from part 1 of my article. Great to see that many of you enjoyed it and feel like you have learnt something from it, but we can not linger in the past, instead we must look forward to the second part of what makes good level design for combat. Introduction In the first part, I discussed how important it is for you to understand your metrics, scale, weapon, etc. All this planning helps you to create great levels, now that we ha
  2. In this article, Toby Gard introduces the fundamentals behind the design of story-driven levels. While consideration of the gameplay is axiomatic to any successful level design, the inclusion of story elements - characters, objects, pacing, emotional tone, and narrative theme, to name a few - adds a whole new dimension to the process, specifically in the form of cross-team collaboration. Artists, composers, writers, coders, designers all have a hand in the design process, a little bit like the making of a film. Of course, anyone who has worked collaboratively knows that this type of situat
  3. So begins an interview between MP1st and Niclas Astrand, the desiger of Canals. The initial questions seek to understand how and why the map made it into the game. Next comes a question on the general approach to level development that was used. Was the popularity of Canals expected? And some final thoughts from Niclas: Source: https://mp1st.com/features/battlefield-best-tdm-map-and-how-it-was-made
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