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About Reaching Perfection Missed Chapter 16? Read it here: Innovation Intro You know how important catching a person’s eye is. It can attract players to places they would never explore otherwise. It shows players a weapon that they may not have been able to find otherwise. There are many ways to draw a player’s gaze. One of those ways is to use contrasting colors in an otherwise bland scene. But color contrast isn’t just about eye catching. The color wheel So everything we see exists on our visible color spectrum with each color slowly blending into the next and becoming a new color. A natural occurrence of the color spectrum is a rainbow. A rainbow is seen by the human eye as several colors blending into each other from Red to Purple. The color wheel just places all of these colors in a perfect circle that links the red to the purple in order to restart the color sequence. Most color wheel diagrams consist of 12 colors containing the three primary colors that blend together to form three secondary colors and then all six of these blend with the one two next to them to create six tertiary colors. You can easily find an example of the color wheel by searching google. The difference is black and white Contrast is defined as the difference between two colors that appear next to each other. It is easy to notice when something black is on a white field, but how easy is it to tell when something black is on a purple field in comparison? With that in mind how much do you want that black object to stand out? If you want the object to just accent the scene then maybe the black on purple is a good idea, however if you want it to stand out then maybe the black on white is a better idea. High and low contrasts are both important in their own situations. You do not want to be bringing attention to something that doesn’t need attention and you don’t want to hide something that needs to be seen. So how do you find low contrast and high contrast color combinations? Take a look at a color wheel. Pick one color on that wheel and then grab the color directly across from it. That color is known as its complementary or contrasting color. Now pick a color next to it. That color is known as an analogous color. These colors blend really well together and hide things while still adding color to the scene. Applying to maps So through the topic of eye catching you already know when to use high contrast colors. Place purple weapons on a yellow backdrop in order to draw attention to them as incentives. Place a dark red door in a bright green wall to show players that it exists. Place yellow explosives against a dark gray wall in order to make them aware of the deterrent. So when do you want to hide something? Why not just high contrast everything in the scene to draw attention to it? Because the more things that are trying to pull attention the less affect each one has on the player. So next to that purple weapon on the yellow backdrop don’t place purple chairs around it or people may miss the purple weapon and only see the purple chairs and move on. Scenery and other objects that help smooth out the feeling of the map, that aren’t necessarily important to gameplay, need to use low contrast in order to not draw too much attention to them. They are there to complete the whole experience and keep the map from feeling bland; not to draw attention. Read Chapter 18: Patience *Note: We have a thread dedicated to Color Theory, with a lot of useful links on this subject. Follow Ray Twitter: https://twitter.com/RayBenefield Mixer: https://mixer.com/RayBenefield Follow Next Level Design Join the Forum: http://www.nextleveldesign.org/index.php?/register/ Follow us on Twitter: https://twitter.com/NextLevelDesig2 Discuss on Discord: https://discord.gg/RqEy7rg
This is perhaps the most comprehensive guide I've found on Color Theory that can be utilized by level and game designers. It's broken into a 3-part series. What follows is a brief section of the first part of this series. The full article contains a ton of example images. Please follow the link at the end to reap the full benefits of the authors work. Quick Summary There are few things in design that are more subjective—or more important—than the use of color. A color that can evoke one reaction in one person may evoke the opposite reaction in another, due to culture, prior association, or even just personal preference. Color theory is a science and art unto itself, which some build entire careers on, as color consultants or sometimes brand consultants. Knowing the effects color has on a majority of people is an incredibly valuable expertise that designers can master and offer to their clients. There’s a lot to it, though. Something as simple as changing the exact hue or saturation of a color can evoke a completely different feeling. Cultural differences can compound those effects, with a hue that’s happy and uplifting in one country becoming depressing in another. This is the first in a three-part series on color theory. Here we’ll discuss the meanings behind the different color families, and give some examples of how these colors are used (with a bit of analysis for each). In Part 2 we’ll talk about how hue, chroma, value, saturation, tones, tints and shades affect the way we perceive colors. And in Part 3 we’ll discuss how to create effective color palettes for your own designs. Warm Colors Warm colors include red, orange, and yellow, and variations of those three colors. These are the colors of fire, of fall leaves, and of sunsets and sunrises, and are generally energizing, passionate, and positive. Red and yellow are both primary colors, with orange falling in the middle (making it a secondary color), which means warm colors are all truly warm and aren’t created by combining a warm color with a cool color. Use warm colors in your designs to reflect passion, happiness, enthusiasm, and energy. RED (PRIMARY COLOR) Red is a very hot color. It’s associated with fire, violence, and warfare. It’s also associated with love and passion. In history, it’s been associated with both the Devil and Cupid. Red can actually have a physical effect on people, raising blood pressure and respiration rates. It’s been shown to enhance human metabolism, too. Red can be associated with anger, but is also associated with importance (think of the red carpet at awards shows and celebrity events). Red also indicates danger (the reason stop lights and signs are red, and that warning labels are often red). Outside the western world, red has different associations. For example, in China, red is the color of prosperity and happiness. It can also be used to attract good luck. In other eastern cultures, red is worn by brides on their wedding days. In South Africa, however, red is the color of mourning. Red is also associated with communism. Red has become the color associated with AIDS awareness in Africa due to the popularity of the [RED] campaign. In design, red can be a powerful accent color. It can have an overwhelming effect if it’s used too much in designs, especially in its purest form. It’s a great color to use when power or passion want to be portrayed in the design. Red can be very versatile, though, with brighter versions being more energetic and darker shades being more powerful and elegant. EXAMPLES The bright red of the illustration on the homepage of Nacache Design’s site gives the page a ton of energy and vibrancy. The bright pinkish red of the background on Ming Lab’s website is inviting and passionate. The muted red on the Startup Lab website is energetic without being aggressive. Bigsound Buzz’s website uses a monochromatic design of various shades and tones of red, which in this instance gives a poppy, retro vibe. Build in Amsterdam’s website uses a vibrant red accent color that draws attention to the middle of the page immediately. Recap While the information contained here might seem just a bit overwhelming, color theory is as much about the feeling a particular shade evokes than anything else. But here’s a quick reference guide for the common meanings of the colors discussed above: Red: Passion, Love, Anger Orange: Energy, Happiness, Vitality Yellow: Happiness, Hope, Deceit Green: New Beginnings, Abundance, Nature Blue: Calm, Responsible, Sadness Purple: Creativity, Royalty, Wealth Black: Mystery, Elegance, Evil Gray: Moody, Conservative, Formality White: Purity, Cleanliness, Virtue Brown: Nature, Wholesomeness, Dependability Tan or Beige: Conservative, Piety, Dull Cream or Ivory: Calm, Elegant, Purity Follow this link for an in-depth look into each of the colors listed above in the recap: https://www.smashingmagazine.com/2010/01/color-theory-for-designers-part-1-the-meaning-of-color/ Follow Cameron Website: http://cameronchapman.com/ Twitter: https://twitter.com/cameron_chapman Instagram: https://www.instagram.com/cam_chapman/ Follow Next Level Design Join the Forum: http://www.nextleveldesign.org/index.php?/register/ Follow us on Twitter: https://twitter.com/NextLevelDesig2 Discuss on Discord: https://discord.gg/RqEy7rg