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About Reaching Perfection Missed Chapter 22? Read it here: Rule of Thirds Intro Sometimes when a player experiences a map for the first time they don’t start with a spawn perspective. Sometimes they get an overview of the map that allows them to make decisions and gain a first impression before they start playing or have any sort of control of what they are seeing. Sometimes a player doesn’t have control over what they see during cinematic sequences and where they look next. These perspectives that players do not have control over are what we call static perspectives. Your terms Static perspectives are a powerful tool in a designer’s toolbox for creating the experience the designer envisions. The designer has full control over static perspectives. They are something that are fully owned by a designer and are very predictable experience-wise when compared to other design theories that rely on hypothesizing what players will see and do. However, with great power comes great responsibility. When things don’t go a player’s way while traversing a map they have the chance to blame themselves because they control their own perspective. However they have no control over static perspectives like map overviews so if they have a bad map overview or see a bad screenshot the fault falls on you as the designer. Don’t ever give your player’s a reason to doubt your credibility as a designer. Remember how important those first impressions are. Painting a picture When preparing a static perspective, always remember that you are painting a picture or film that your players are witnessing. Remember that you are an artist trying to sell your work to your audience. Use whatever techniques you can think of to make your static perspectives as pleasing as possible. Take note of the color contrast that exists in your picture. Remember your eye catching techniques to draw attention to things. Remember the rule of thirds and place important landmarks, incentives, and deterrents on the focus points of the static perspective. Remember the importance of teaching your players your map to provide them the knowledge they need to have a full and enjoyable experience. Static perspectives are also a great tool for area introduction. Remember that level design is a smooth cohesive process, not just a bunch of individual parts. Everything works together as one and learning to combine and mix and match techniques is a delicate but powerful skill. Examples Static perspectives can be many things. Screenshots of your map in a thread on a level design forum are a great example of static perspectives. Sometimes a camera exists that is used to give an overview of a map while players select their weapons. Maybe there is a security camera that players have access to but can’t control and can see the map in the camera’s perspective. Perhaps you created a film to show off your map. In the case of batches of perspectives, remember the perspective variance concept when using various techniques. Games have used many static perspectives throughout the ages and learning to see them as pieces of art will allow you to adjust them and plant a particular opinion or impression on your customers. That. Is. Power. Read Chapter 24: Advertising Follow Ray Twitter: https://twitter.com/RayBenefield Mixer: https://mixer.com/RayBenefield Follow Next Level Design Join the Forum: http://www.nextleveldesign.org/index.php?/register/ Follow us on Twitter: https://twitter.com/NextLevelDesig2 Discuss on Discord: https://discord.gg/RqEy7rg
About Reaching Perfection Missed Chapter 21? Read it here: Incentive Weighting Intro Have you ever taken a picture of yourself or family and friends centered in the picture? Have you noticed that the picture just doesn’t feel right and doesn’t feel pleasing? Have you ever placed an object directly in front of someone for it just to go unnoticed? That’s because a person’s focus is typically not on the center of their current perspective. Learning to place objects at a player’s focus point is key to ensuring that they notice what you are trying to show them. Rule of thumb Remember when we talked about how perspectives are like pictures or photographs? Well applying common techniques used in art and photography can be used to truly help enhance a player’s experience on your map. Photography is all about object placement, depth, scene composition, as well as various other techniques. I’m not an expert so don’t judge me when I talk about their techniques. However I do know that one common rule of thumb that photographers use is known as the “rule of thirds”. The rule of thirds states that if you divide a picture,photograph, screenshot, or whatever into thirds both vertically and horizontally, the perspectives main points of focus lie at the intersections. Not the center So taking the basic definition of the rule of thirds we can take any good screenshot and divide it with two lines going vertically in thirds and two lines going horizontally in thirds and find the main focus points of the screenshot. What you end up getting is a little square in the center with its corners being used as focus points. This is why you see many pictures and self portraits with the subject slightly to the right or left and not directly in the center of the picture. If a painting is being drawn with the sun as a main focus it is normally placed at one of the top two corners of that center square. This rule is one of the simplest rules of photography and will help assist you in your quest towards becoming a great map designer. Application So now you’ve got the gist of the rule of thirds so let’s take some time to re-tie it back in with level design. You should be very well versed in the definition of a perspective. Let’s run through a scenario to help you get a bit more acquainted to working with the rule of thirds. Imagine setting up a spawn perspective for your map. You want a player to first spawn and pickup the sniper rifle that is in front of them. First of all you want to place the spawn facing towards the general direction of the sniper rifle. Second, you want to set the sniper rifle a good distance away from a player in order to follow the smooth spawning concept. Now keep in mind the spawning default eye level of the player. Tweak the spawn perspective so that the sniper rifle is placed near one of the four points of interest. Apply whatever eye catching techniques you would like and viola you have encouraged your player to take the role of the sniper. Well done. This technique doesn’t just have to be used on spawns. It can be used for when a player first walks through a doorway. Take the time to imagine the general direction that the player is facing and setup your objects based on the rule of thirds in order to maximize their attention. Make your map fun to play by making what they need to have fun easier to find. Don’t you hide that good ol’ rifle. Read Chapter 23: Static Perspectives Follow Ray Twitter: https://twitter.com/RayBenefield Mixer: https://mixer.com/RayBenefield Follow Next Level Design Join the Forum: http://www.nextleveldesign.org/index.php?/register/ Follow us on Twitter: https://twitter.com/NextLevelDesig2 Discuss on Discord: https://discord.gg/RqEy7rg
About Reaching Perfection Missed Chapter 12? Read it here: Path Maps Intro I want you to think about all of the maps that have very important areas in them that players use to orient themselves and their teammates. Ever heard of people calling out the shotgun room? How about when players say that he is in the sniper tower? In order for player’s to enjoy the optimal experience on your map it is probably best for them to be able to understand where these areas might be, correct? Even more so it is probably best if players knew about every single area that exists on the map in order to allow them to make the best decisions possible, right? You tell me... Defining the obvious Hmmm so what is area introduction? I don’t know... maybe it is introducing areas to a player. But it is more than just that. It is showing players everything there is to a map. It is showing your players the options that they have when choosing where to go from where they are. Area introduction is a form of Path Manipulation that is used when a player is new to a map to show them major sections that are available to them. But why is area introduction so important? If a player explores enough won’t he/she find every place on the map eventually? Well sure, but it is more than just that. If I give you a dictionary eventually you will memorize every single word and definition in it if you read it enough right? No? Well why not? Tying things together Remember when we talked about how a player’s first impression of a map is extremely important? Remember when we said that Knowledge is Power and in order for a player to give a proper analysis of a map he needs to be introduced to the most important parts of the map? By mixing these two concepts we see the importance of teaching players the map as fast as we possibly can because we do not know how long a player’s first impression will last. You only have the player’s attention for a short period of time until you win over their trust. Once you win their trust then you have their attention for a long while. The key is proving to them that it’s a good map to play on. And in order to do that they have to know the important parts about the map in order to judge it well or their judgment will be skewed and you will lose them for a while because they didn’t know about that one thing that could have made their experience better. Giving them the tour So how do you show the player around without doing it yourself? How do you show the player the map while they are in the heat of combat and focused on winning the match? You already have a good amount of tools at your disposal. What does the player see in his first perspective? Is that a pretty blue room that has caught my eye? Oooo... look there’s a shotgun over there I’m going to go check that out. This place looks too open and will leave me too vulnerable so I’m going to go see what’s over here instead. You see what I did there? By mixing spawn perspectives and eye catching you can show off the blue room. With incentives like a shotgun you can show people the shotgun room. Using deterrents and traffic control you can encourage people to take a look around somewhere else. All of these things relate in the greater sense of Path Manipulation. Now that you know how important area introduction is... go use it. Read Chapter 14: Essence Follow Ray Twitter: https://twitter.com/RayBenefield Mixer: https://mixer.com/RayBenefield Follow Next Level Design Join the Forum: http://www.nextleveldesign.org/index.php?/register/ Follow us on Twitter: https://twitter.com/NextLevelDesig2 Discuss on Discord: https://discord.gg/RqEy7rg